It’s all in fun.
My house the trading post, today is a stage for Bob, and I. While I, make visitors feel welcome with a batch of home-made cookies, Bob, entertains them with his “licks” on the guitar.
In 1967, Bob was part of a band called, The Horde. The Horde recorded a session in Durham, North Carolina while in college. That album was recently re-released this past summer. The band played gigs at numerous universities. They have been called the most exciting mid sixties garage band to ever be discovered. They starred at the usual teen dance clubs, Fraternity parties, and Student Union dances. The played songs like, “Paint It Black.” Which starts with Bob playing the guitar solo. The guys were considered hippies, traveling all over the place playing the ‘British invasion’ influenced music. They liked the raw in your face blues, filtered through British pop.
After the demise of the band the group went their separate ways. Bob graduated from college and went to New York to go to Columbia University Law School and later to Cambridge University, England. He now practices criminal law and family law.
He continued to play rock and roll and other music venues through the years. He had a band once called the, “Bell Street Blasters.” With the Bell Street Blasters he played theater and stadium level gigs appearing in shows with B.B King, Johnny Winter, Stevie Ray Vaughn, Ray Charles, and others.
During, the past summer, twenty-five brand new vinyl, The Horde, albums arrived, with two-dozen CD’s. They sit behind the display counter in Bob’s law office. The album’s public recognition is a little late, only forty-six years, too, late. Very, very few people out there are buying the Horde’s album, “Press Buttons Firmly.” A song titled after the guys noticed the message on the juke box in a tiny coffee shop on campus.
North Carolina, in the sixties, was the deep south. The music the Horde’s were playing didn’t live up to the soul music country’s expectations. Bob and the band members, complained that the crowds constantly requested the song, “Stubborn Kinda Fella.” An incident the guys still talk about, is when a group of frat guys got fed up with the hippy band, and headed for the stage. Their drummer stared the angry mob down as the rest of the guys escaped. Take the time to listen to The Horde’s songs, amazingly good.
Today Bob plays jazz and country gigs on pedal steel guitar. He has been appearing in duos with Billboard charted jazz keyboardist Max Groove. Together they play Jazz R&B or original New Age Jazz. He is a talented musician who mostly jams with friends.
If you are looking for a unique gift for a music lover, or collector, please consider, The Horde, album, “Press Buttons Firmly.” I highly recommend the album, Break-A-Way-Records did a marvelous job remastering the album. Someone out there in the world actually owned the orignal version of the recorded songs and they put them on YouTube, that can be sampled at:
The original 1967 -record of The Horde last sold on ebay for $1800. There are only 25 copies of the original studio recording. The new album is also available on Amazon for just, $23.99.
The routine at the house includes watching X-Factor. Tonight, like many other nights, I was enlightened by a brief music history lesson given by my husband Bob. Now mind you, I have heard of none these individuals or the songs. The song, ‘Hallelujah’ was song by a contestant on tonight’s X-Factor, a televised talent contest.
Leonard Cohen, a musician in the Music Hall of Fame who also received three Juno Awards nomination, got his start in the music business in 1967. Cohen is credited as the singer and composer of ‘Hallelujah.’ One of his earliest hits was with folk singer, Judy Collins, for the song, ‘Suzanne.’ Bob made me watch a YouTube video of this act (while I was trying to enjoy the X-Factor show).
In 1967, Cohen moved to the United States to pursue a career as a folk music singer and songwriter. During the 1960s, he was part of the Andy Warhol’s “Factory” crowd. According to Wikipedia, Andy Warhol speculated that Cohen had spent time listening to Nico in clubs and that this had influenced his musical style.” His song ‘Suzanne’ became a hit for Judy Collins and was for many years his most covered song. His song, ‘Hallelujah’ found greater popularity through a cover by John Cale.
The New York Times praised the song ‘Hallelujah’ in a review, noting that “Cohen spent years struggling to write the song ‘Hallelujah.” Many singers have covered versions of the song. There are over 300 versions known. It is often called one of the greatest songs of all time.
John Cale was a member of the Velvet Underground, an American rock band, active between 1964 and 1973. The band was part of the first real scene of the high literature culture of Andy Warhol. These people were the hippest of hipsters. The Velvet Underground was formed in New York City by Lou Reed and John Cale. I believe, Nico was also a singer and songwriter for the band.
Lou Reed was a frequent performer at ‘The Factory’, a studio owned by Warhol. Andy often asked his assistants to help set up parties, which were groundbreaking assemblies of musicians, artist, hipsters, gay partiers, and drug addicts. The rented studio apartment in New York’s grubby 60’s neighborhood pre-dates the Studio 54 era. Bob tells me this, but as I always lived in the Midwest, and really don’t have a clear conception of Studio 54 either.
Bob says that Andy Warhol supported the music of the Velvet Underground and this influence started the avant-garde craze. Avant-garde is a term used in the fashion world, and when describing something that is ‘cutting edge.’ Andy Warhol designed the cover of the first album for the band, a banana. That banana is one of Andy Warhol’s most recognized artworks. It became the most popular album cover art of all time.
Lou Reed went on to write a song in 1972, called “Walk on the Wild Side” on his second solo album Transformer. Lou Reed had performed at Max’s Kansas City in New York and Studio 54, two of the most famous and treadiest clubs in New York. Leonard was famous for his poetic song lyrics, ’Suzanne.’ Like singer songwriter, Bob Dylan, he was the poet of the time.
The song contest show X-Factor, has enlightened me to the history of old songs. From my husband Bob, I learn that he is often irritated that shows like X-Factor don’t actually acknowledge the cover songs properly. The old songs are, too often, credited to modern singers, like Mariah Carey, or to the last pop singer that sang the song. Passive television viewers, like myself, pay no attention to the originality of a song or who composed it. I usually don’t even have an opinion as to who sang it best.
While I watch television, I’m thinking, the judges are babies. The female judges on the X-factor wear a lot makeup. They represent youth and have a good game for knowing their own limitations and their wealth hides any immaturity. Simons Cowell has matured and he has been less critical of the young singers.
The whole time I am unable to actually hear the girls and boys sing on the show because in the background my darling husband, Bob has picked up the acoustic guitar and plays. Singing songs like ‘Wild Wood Flower.’ A song, I never heard before. He says it is the greatest country song ever.
I’ve heard it before, only ‘cause he sings it whenever he picks up the guitar. He knows other songs, and I like other songs, but that’s not what he plays. I like when he plays ‘Greensleeves, or Jonny Cash’s, ‘Ring of Fire.’ My Lutheran upbringing loves to sing hymns like, ‘What Child is This,’ during the Christmas season. I happen to know Mary J. Blige is not the original composer of that song.
Once, Bob and I, recorded, ‘Ring of Fire,’ for our grandson, Eddie. On one of those recordable page books. Eddie, loves to turn the pages of the recordable book and listen to gran-ma and pawpa sing various folk songs. If you’d like, I’d be happy to make you a book; just let me know. We have a few for sale.
Typically, I don’t sing in public. However, I did sing in my high school choir. I have also, been known to take a shot of tequila and do a little goofing around singing. Last Halloween, at the Monster Bash hosted by a local Westport Tavern, I tried to perform an Amy Winehouse song.