Squeaky the Duck happiest when taking a walk around the West Plaza neighborhood. If you visit be sure to check out the number of yards with artwork, like Big John’s metal dinosaur. Kansas City is blessed with many talented and creative people. Get out there and meet your neighbors, people are interesting.
Squeaky the Duck lives in the pre-civil war building, one block away from State Line Road on the Missouri side. We are doing our best to keep her contained in the yard. Some of our neighbors have helped return her to the yard. Enjoy some photos: The new sign is our hope to alert passerby that a Duck may be near or at least lives here.
We’ve had Squeaky for 8 years and she never really flew, but lately she has been using her wings to gain flight over the little fence. It’s time to build a taller fence, but not to keep anyone out, to keep something in.
The politicians aren’t representing us very well. The reporters are gossiping more than reporting. The focus is on hate and my health is at risk.
My husband made a funny joke last night, after hearing Joe Biden entered the presidential race despite rumors he is too touchy-feely. “America needs a hug, vote uncle Joe for President.”
We like to watch channel 103 otherwise known as MSNBC. So while watching tv in the kitchen I prepared our favorite dinner. I call “Chicken Meatball Lettuce Wraps.”
My house the trading post has been dead for some time, indicated by zero visitors. I love my house and hate my house. I love my life and hate my life. But what is important?
The people who live in this house are important to me. The grandchildren who play here now are all that matters. The grandchildren love this house. The oldest has grand plans for this house. I admit I’ve been grooming him to take interest in the old building. What will become of the old place when I’m gone?
The house is in my husband’s name, he owned it long before I came. He painted the walls, he selected the appliances, he put love into it and made this old trading post a viable home and business. A fragile building, registered as commercial property.
Later, I’ll tell you why I hate this place, like because it is too big to clean. Yes, I will tell you more, later.
I first fell in love with the Trading Post when I became friends with the previous owner. He and his roommate were pattern makers, prototypers, mold-makers, and inventors. They were living in the building, using the first floor for business and rehabbing the building at the same time.
When my predecessors acquired the building it had no foundation, the first floor was open, undivided, unfinished, with a cracked and deteriorated concrete floor, giving way here and there to native soil. The second floor contained two small, shabby apartments.
In a fashion I would later learn to be typical of their cleverness, they first jacked up the building and poured a foundation UNDER it! (Originally the Trading Post had been built up the hill. When a new road was put in on the other side of a small pond separating it from the building, the owner drained the pond, hitched the building to mules, and dragged it down the hill to rest on a shale outcropping back-filled with dirt. And so it settled for more than a hundred years.)
Then they stripped the inside of the building and restuded it in its new configuration. After applying interior wall surfaces, they stripped the outside and resurfaced it as well.
Midway in the project, in 1982 they moved their business to a large, downtown commercial building and decided to part with the trading post. Years before, after dreaming someday it would be my home, I told them if it was ever for sale- I wanted it at whatever price they deemed reasonable.
You see, I am an attorney by profession, but I have been an artist showing in galleries since childhood, and a musician who has played in public almost that long. It was my dream, locked away in my law office on the 18th floor of a bank building downtown that someday I would live, work, and maintain music and art studios all in the same place.
One glorious day I received a call from Drake, the remaining partner/owner- “make me an offer!” I secured open-ended financing and met with him to learn his price. He stated a desired sale price and I unhesitatingly agreed! Two days later Drake called and requested a meeting. After a lengthy preamble about all the things wrong with the building, the failing water heater, the 5 roofs dating in part to the Civil War era, the unfinished 2/3 of the interior, Drake lowered the price by $5,000 and gave me a stern lecture on never accepting the first offer!!!
Well, after this magnificent display of compulsive honesty we became friends for life, in early 1983 I became the glowingly proud owner of the Trading Post. The first day as I sat delighted in my huge empty building the doorbell rang. A little old man from up the block came to welcome me to the neighborhood. He told me about the long history of the building- trading post, saloon where it is said Doc Holliday ran the card game, grocery store, plumbing contractor, junk shop, design studio, and finally to me. He gave me a wonderful old picture of himself as a boy standing his uncles in front of the building with wood-spoked wheel delivery trucks and handlebar moustaches when he worked in the grocery store.
Despite all the work they had put into the restoration I was still left with a daunting task. The first floor was an undeveloped disaster. I had to stud in and build walls, pour a 2000 square foot floor, build a law office and studios, a darkroom for photography, and so forth. The second floor living space of 2500 square feet could only be entered by a 45-degree ladder from downstairs, or by climbing pile of wooden peach crates to reach the two doors, unaccountably hanging 4 feet above the ground! (The building was on a slope so that both floors were theoretically ground accessible.)
The living space was partially beautifully finished in oak truck bedding, doors, window treatments, and trim. Drake had purchased a freight car load of oak left unpaid in a bankruptcy and the whole interior shoe with luscious red oak, but there was a looooong way to go!
At first the building was wonderfully empty which suited my “Italian Industrial” style taste. The problem was that decades upon decades of settling and decay had warped and tilted every floor and angle in the place! Without adding optical illusion furniture and wall hanging placements one quickly felt like a drunk in a fun house walking about the building!
Of course the spare gallery look was not to last. As the work progressed, the artwork and guitars accumulated, and the junking expedition prizes were turned into furniture and light fixtures it took on a different look. In truth it was a full 12 years before I declared the job “done.” But of course it was not. A new roof, the yard cleared of anything that had to be mown for rock garden, hot tub, an 8’x30’ herb garden, and an outside home for our duck, many revisions, new bathroom, this and that, and here we are today.
Somehow 30+ years has filled the building with art work, one of a kind furnishings, odd antiques, musical instruments, and my new art hobby 1:12 scale miniature buildings, 10 of which now crowd the living room display space along with an enclosure for our two bunnies. Hardly room for another drawing!
Today it is a quirky but wonderful home for my wife, a scientist and talented artist, and I. What will it become next? Who is to say? Check with Terrie regularly on her blog Myhouse thetradingpost.com to find out!
Bob Simons’ artwork has been featured at many of the Kansas City Crossroads Arts District and local art galleries, as well as galleries in Santa Fe. Denver, and elsewhere. The popular work of Bob Simons is now available to online shoppers.
A unique photographer and artist, he captures interesting subjects in his works. His photographs, prints, and paintings have added electric color and interest to the walls of this old Westport house. I have been trying to get Bob to share his great art with collectors and decorators. One way I have tried to market Bob’s art is on ETSY and EBAY. I thought for sure others would love to hang a print in the bedroom, dress up a wall behind the sofa, wherever; these prints would make a perfect gift for those who love art.
Prints are available on 8×10 inch, 11×14 inch, 16×20 inch, 16×24 inch, and 18×24 inch paper. The prints can be made to order in custom sizes up to 48 inches. Also available as wonderful transparencies that combine the magic color of rear illumination with sufficient “night” light to illuminate a hallway. I am happy to teach and encourage buyers to inquire about transparency projects. Placing a transparency picture in a light box is a special way to display art.
- In 1909, Mrs. Carrie Westlake Whitney, the librarian, wrote of her account of her first visit to Westport (1881), “there was incessant hammering and banging from a dozen blacksmith’s sheds, where the heavy wagons were being repaired, and the horses and oxen shod. The streets were thronged with men, horses, and mules. While I was in town, a train of emigrant wagons from Illinois passed through to join the camp on the prairie. A multitude of healthy children’s faces were peeping out from under the covers of the wagons. Here and there a buxom damsel was seated on horseback, holding over her sunburnt face an umbrella or a parasol, once gaudy enough, but now miserably faded.”
My house the trading post, in Westport (Kansas City, Missouri), once catered to the families of sturdy, good people, whose life was that of the frontier. The rules and manners of the parties attended, were at the discretion of the host. A party at the old Westport saloon would have involved dancing and a “kissing” game. This would be followed by a “supper” that included pumpkin pie, peach pie, and buttermilk. Afterwards, the fun would continue with a run through the backwoods with candles.
With the room lite with candles that “shone brightly upon the fair maidens with glossy water-falls, delaine tissue dresses, hoop skirts and family jewels.” In 1850, dancing in Kansas City, was forbidden by the churches. The young folks were allowed to have large parties, accompanied by some older persons, but the kids refused to call them “chaperons.” For fun, packs of teens, would take a passage on one of the Missouri River Boats, and dance on deck to the fiddler music. A jolly captain, with a crew that supplied the teens with good southern cooking, made this excursion highly enjoyable.
The most desired and eligible young men were from Westport. The prettiest and wealthiest girls were from Kansas City or Independence. The finest parties were hosted by the sons and daughters of the first trading post merchants, saloon owners, and farmers. The Santa Fe trade made these families wealthy. Their parties were legendary and drew in all the prettiest girls.
Before bridge parties and book clubs were popular, quilting parties were the social occasion for the mothers and daughters. Some girls would travel ten miles to arrive as early a nine o’clock in the morning, to quilt. The ladies arrived by carriage, pulled by one of the girl’s own personal riding horses. The women sat on rush bottom chairs around a quilting frame while stitching in different areas. In the company of the other quilters, pioneer women, brought up with cortly manners and elegances, kept their words polite.
The Belles of Kansas City, Missouri in 2014, are beautiful, well-mannered ladies, with charisma and a flair for taking pictures. Among the popular activities in Kansas City for kids to do include, playing soccer, hanging out at the Plaza and Union Station, and joining a modeling class. Here are a few more photos: